camera equipment rentals nyc

Camera Equipment Rentals

Always changes, please inquire if you don't see what you need

Gear List:

New and Additional Accessories

Tripods, Sliders, & Stabilizers

Key Features

Compatible with ALEXA Series

Shared image quality, format choices, and workflow with other cameras in the ALEXA line, making for seamless integration on multicamera projects.

35mm CMOS Sensor

The 35mm-sized 4:3 CMOS sensor can record up to UHD 4K images featuring the wide dynamic range, skin tones, and true colors for which ARRI cameras are known.

Interchangeable Lens Mount

Separately available PL, and EF mounts to expand your choice of lenses.

4:3 Open Gate & ARRIRAW Recording

The included 4:3 Open Gate, and ARRIRAW licenses offer expansive widescreen recording options including 2.8K 4:3, 2:39:1 2K anamorphic, HD anamorphic, and Open Gate capture.

Recording Options

Record up to 3840 x 2160 in ProRes or up to 3424 x 2202 in ARRIRAW.

Recording Media

Media recording options include CFast cards or an external Codex recorder (not included).

ARRI Look Library

Quickly apply one of 87 predefined, color-graded looks to your footage. Looks are grouped in themes, and each look is available in three intensities.

Compact Design

The Mini's compact size is suitable for specialty shots using gimbals, handheld rigs, or quadcopters, and its carbon body provides lightweight strength and durability.

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Canon 5d Mark IV w/ C- Log

Canon EOS 5D Mark IV DSLR Camera with C Log includes a full-frame DSLR with a gamma setting that helps filmmakers record with an expanded dynamic range.

ts-canon-5d-mark-iv-with-canon-log_c-log

Blackmagic 6k Pocket Camera EF Mount (Body Only)

Blackmagic Design ups the ante in compact cine-style capture with their Super 35 sensor Pocket Cinema Camera 6K. Not only can the BMPCC 6K record up to 50 fps 6144 x 3456 video, but in a boon to lens connoisseurs everywhere, it features an active Canon EF mount, letting users take advantage of the expansive array of EF-mount lenses available.

Reverse Pic Black Magic 6k Pocket Camera

Additional Cameras:

• Sony F55 CineAlta 4K Digital Cinema Camera

• Canon EOS C300 (EF Lens Mount)

• Canon EOS C300 Mark II (EF Lens Mount)

• Canon EOS C100 Mark II

• Sony PXW-FS7 with ext unit

• Sony PMW-F5 CineAlta Digital Cinema Camera

• Sony PMW-200

• Sony A7R II

• Sony A7S II

• Canon XF305

• Canon 5D Mark III

• GoPro Hero7

Lenses:

• Canon CN7x17 KAS S Cine-Servo 17-120mm T2.95 (EF Mount)

• Canon CN-E Cinema 5 Lens Package

- Canon CN-E 14mm T3.1 L F Cinema Prime Lens

- Canon CN-E 24mm T1.5 L F Cine Lens

- Canon CN-E 35mm T1.5 L F Cine Lens

- Canon CN-E 50mm T1.3 L F Cine Lens

- Canon CN-E 85mm T1.3 L F Cine Lens

- Canon CN-E 135mm T2.2 L F Cinema Prime Lens

• Canon TS-E 17mm f/4L Tilt-Shift Lens

• Sony PMW-EX1R/PMW-200 Wide Angle Lens Adapter

• Canon EF 100mm f/2.8L Macro IS USM Lens

• Canon EF 16-35mm f/2.8L II USM Lens

• Canon EF 24-105mm f/4L IS USM Lens

• Canon EF 50mm f/1.8 II Lens

• Canon EF 24-70mm f/2.8L II USM Lens

• Canon EF 70-200mm f/2.8L IS II USM Telephoto Zoom Lens

• Canon EF 24mm f/1.4L II USM Lens

• Canon EF 35mm f/1.4L USM Lens

• Canon EF 85mm f/1.2L II USM Lens

Tripods, Sliders,

Stabilizers

& Dollies:

• Sachtler 18 SB ENG 2D 1861 Tripod System

• Sachtler DV-8SB SL Tripod System

• Sachtler 20 S1 HD CF Tripod System

• Sachtler System 0420 DV-4II Tripod

• Sachtler System 0220 DV-2II Tripod

• Sachtler Video 14 Tripod System

• Dana Dolly Portable Dolly System

• Manfrotto 3137 Variable Leg Spread Tripod Dolly

• Kessler CineSlider 5ft

• Kessler Stealth Standard Slider

• Glidecam 4000 Pro

• Glidecam 2000 Pro

• 100mm High Hat

Matteboxes & Filters:

• Tilta Mattebox

• Vocas MB-255 Mattebox

• Vocas MB-350 Mattebox

• Chrosziel Matte Box 456-20

We carry a wide variety of filters and polarizers

for any specific questions or requests please call or email.

Camera Accessories

Eyedirect Mark II with Foam Fitted Rolling Case

The Mark II allows you set up with the interviewer behind the camera and off to either side, and still have the on-camera talent make eye contact with the interviewer. Plus, you no longer have to worry about the interviewer leaning into the shot. Your on-camera subject maintains focus and eye contact with the interviewer while looking directly into the lens, and thus making a strong connection with the audience

The unit can be set up so that the interviewer can sit on either side of the camera without changing the functionality of the unit. This allows you to frame and compose the shot as you normally would, without compromises

The wing features 40° of lateral adjustability and 35° of tilt adjustment. This allows the interviewer to find a comfortable position while maintaining eye contact with the on-camera subject